Soprano Teresa Ferrara is dedicated to music’s power to transcend social divides and inspire people of all ages and backgrounds. She has performed as a solo vocalist at the Kennedy Center on the Millennium Stage and in the Terrace Theater, and her chorus work has allowed her to perform often with the National Symphony Orchestra. It has also brought her to international venues in France and Cuba. She has earned many awards for her singing, including the Award for Excellence in the Arts from the National Society of Arts and Letters, The Washington Post Music and Dance Scholarship Award, and 3rd place in the Friday Morning Music Club Sue Goetz Memorial Competition for Singers two years in a row. Recent opera credits include Mozart’s Le Nozze di Figaro (Countess Almaviva), Così fan tutte (Despina), Bastian and Bastiana (Bastiana), and Don Giovanni (Zerlina cover/Chorus), as well as Donizetti’s L’Elisir d’Amore (Giannetta) and Massenet's Chérubin (L'Ensoleillad). As a recent graduate of the Master of Music program at the Peabody Conservatory, she plans to continue to pursue musical endeavors that stretch the norms of classical music and seek to educate and serve the community.
Mezzo-soprano Adrienne Ivey graduated with honors from the University of Michigan with a Bachelor's degree in Vocal Performance and a Teaching Certificate in K-12 Vocal Music. She also holds a Master of Music degree from the University of Maryland's prestigious Maryland Opera Studio. An avid performer, she has toured with the New York Harlem Productions company of Gershwin’s Porgy and Bess, appearing as the Strawberry Woman in some of the most important European venues including the Komische Oper Berlin. Locally, she is not only a regular chorister with the Washington National Opera, but in the spring of 2013, she made her principal role debut as a "Madrigale" in Puccini's Manon Lescaut at the Kennedy Center. Aside from her many achievements as a performer, Mrs. Ivey has put her training as a music educator to good use for over 10 years. She is the founder and CEO of Ivey League lessons, located in Woodridge, VA.
Praised for his "outstanding, resonant bass" by Opera News and for his "sepulchral and frightening" tone by DC Metro Theater Arts, John T.K. Scherch recently performed in Washington Post music critic Anne Midgette's #1 performance of 2018, Viva V.E.R.D.I.: The Promised End, a show that juxtaposed text from King Lear with the Verdi Requiem, with The In Series. He was the bass soloist in Harford Choral Society's performance of Bach's Magnificat and will sing the bass solos in Bach's Cantata 49 and 32 with Bach in Baltimore, and will also appear in the role of Vasily Sobakin in Nikolai Rimsky-Korsakov's The Tsar's Bride with Bel Cantanti Opera in May. Last summer, John appeared in the title role of Gilbert & Sullivan's The Mikado with the Young Victorian Theatre Company; his other Baltimore appearances on stage include principal roles in Francesco Cavalli's La Calisto, Mozart's Cosi fan tutte, and Kurt Weill's Street Scene with Peabody Conservatory. John is the evening announcer on WBJC, where he hosts the all-request Listener's Choice program Friday evenings and runs First Impression, a convenient, centralized location on the internet for new music in and associated with Baltimore.
Soprano Ellie Yeonjung Kim, originally from Seoul, Korea, completed her Master of Music degree at the Manhattan School of Music in New York studying under Joan Patenaude-Yarnell. Ms. Kim’s operatic appearances include Barbarina in Le nozze di Figaro with the Dell'arte Opera Ensemble and Lucy in Menotti's The Telephone at the Korea National Theater. She was recognized with "great critical acclaim" by Opera News online for the role of Rita in Donizetti's Rita with the Martina Arroyo Foundation. Other repertoire includes Pamina in Die Zauberflöte, Sophie in Massenet's Werther, and Laetitia in Menotti's The Old Maid and the Thief. Ms. Kim was also featured in several opera gala concert performances at the KBS Hall in Seoul, Korea as a member of the Kim Ja-Kyung opera company. She was featured as a vocal soloist with the Washington Bach Consort for their 2013 season and she is a professional member of the Washington Master Chorale. Ms. Kim currently studies with Elizabeth Daniels.
Nigel Rowe is a newcomer to the DMV and is very excited to be making his Baltimore Musicales debut! Recent credits include: Shaina Taub and Laurie Woolery’s As You Like It (Keegan Theatre), The Lives Left Behind (Silver Finch Arts Collective), Flip Flop Cabaret (Monumental Theatre), Zarzuela a la Cubana (The InSeries), Infinite Future: Bernstein’s Lasting Impact (Monumental Theatre), and Duke Ellington’s Neighborhood (The InSeries). Nigel is also a teaching artist and music director for the Educational Theatre Company in Arlington, Virginia. He received his BFA from Carnegie Mellon University.
Praised by The Washington Post for having “a lustrous voice supple enough for the delicate innuendos and intimate inflections of the solo song, yet also capable of projecting the dramatic vigor necessary for the opera house,” soprano Meri Siirala has performed in France, Norway, Switzerland, and Canada as well as in Washington, D.C., at the Kennedy Center Millennium Stage, the Phillips Collection, the National Gallery of Art, the National Portrait Gallery, the Corcoran, the Embassy Series, Norwegian Embassy, and several times at the Finnish Embassy. Meri made her operatic debut as Queen of the Night in a highly acclaimed production of Mozart’s The Magic Flute with Pori Opera Company, Finland. Her repertoire encompasses styles from baroque music to contemporary, from opera to art song and musical theater. She also collaborates with and performs works by several contemporary composers, including Kaija Saariaho and Olli Kortekangas. She has performed for Joe Biden, Vice President of the United States of America, Tarja Halonen, President of Finland, and King Carl Gustaf and Queen Silvia of Sweden. Meri graduated with a Masters in Music, receiving the highest grade from the Opera Department of the Sibelius Academy. She has been awarded several awards and grants by various organizations, including the Finnish Cultural Foundation, Pro Musica Foundation, and Arts Promotion Center, Finland.
Known for her extensive vocal range, mezzo-soprano Elise Christina Jenkins has charmed audiences in repertoire ranging from opera and art song to operetta. Most recently, she joined The In Series for their Operetta Wonderland: The Magic of Victor Herbert. A frequent performer with Opera NOVA, she sang the role of Tisbe in Rossini’s La Cenerentola, Monisha in Scott Joplin’s Treemonisha, and in various outreach programs and recitals. Other operatic roles include Third Lady in Die Zauberflöte, Marcellina in Le nozze di Figaro, and Maman in L'enfant et les sortilèges, as well as the partial role of Waltraute in Wagner’s Die Walküre and La Badessa in Puccini’s Suor Angelica with the JMU’s German Opera Experience in Freiberg. Elise made her Italian debut in the Amalfi Coast Music and Arts Festival in Mairoi performing scenes from Mozart’s Così fan tutte and she later returned to Italy to sing Madre Maria in Francis Poulenc’s I dialoghi delle Carmelitane for La Musica Lirica’s International Music Festival in Novafeltria. As an oratorio soloist, Elise was invited to sing Handel’s Messiah at the Korean United Methodist Church of Koinonia for their Christmas Eve service with chamber orchestra under the baton of Dr. In Dal Choi. She received her Master’s Degree in Vocal Performance from George Mason University and she currently studies with Mr. Russell Penney. Elise cantors regularly at Old Presbyterian Meeting House in Alexandria, VA.
Soprano Madeline Huss is a recent graduate of the Peabody Institute, earning her master’s degree in vocal performance and music theory pedagogy. She is currently pursuing a graduate performance diploma in vocal performance at Peabody, to be completed this spring. In Peabody Opera productions, she performed Soldier in The Falling and the Rising, Sukey in Sukey in the Dark, covered and performed Adina in L’elisir d’amore, and performed in Bernstein and Friends scenes. Also through Peabody Opera, she performed an opera outreach program that she created with colleague Rachel Sandler called "Where in the World is Opera?" She sang the role of Miss Titmouse in Too Many Sopranos with Little Patuxent Opera Institute in 2017. She was a soloist in Ralph Vaughan Williams’ Dona Nobis Pacem with Peabody Concert Orchestra and chorus under the direction of Edward Polochick in 2016. Madeline has been a vocalist in nine world premieres, including an opera scene, art song, and chamber ensembles, and she will perform in three more opera scene premiers through Peabody Opera's Opera Etudes this April. She currently studies with Ah Hong.
Soprano Jennifer Piazza-Pick has been active in oratorio, concerts, choral music, and opera in the United States and Europe. She was a member of the House Chorus at the Nationaltheater Mannheim in Mannheim, Germany for five years, where she performed in over 50 different productions. She has also performed with Ithaca Opera, Long Beach Opera, Pacific Chorale, Cincinnati Opera, Opera Theater of Lucca, Opera Piccola of San Antonio, Alamo City Ballet, San Antonio Chamber Choir, the Princeton Festival, the Dallas Choral Festival, the Virginia Chorale, Richmond Ballet, and the Oregon Bach Festival. An advocate of American music, Ms. Piazza-Pick has premiered works by many American composers, including three premieres for the Composers Alliance of San Antonio’s spring concert, featuring the poetry of San Antonio’s poet laureate, Camen Tafolla. Ms. Piazza-Pick is the winner of Hawaii Public Radio’s art song contest, the George Cortes Award for Classical Singing by the Artist Foundation of San Antonio and was a finalist for the American Prize in the women’s art song division. She has been an adjunct instructor at Trinity University, University of the Incarnate Word, Our Lady of the Lake University, Virginia State University, and the University of Richmond. Currently a D.M.A. student at the University of Maryland, College Park, Ms. Piazza-Pick earned her M.M. in Voice performance from the University of Cincinnati College-Conservatory of Music and her B.M. in Music Education and Voice Performance from Ithaca College.
Adam Cooley is a Baltimore based actor with theatre credits that include performances with Stillpointe Theatre, Iron Crow Theatre, Creative Alliance, and multiple one-man shows at Ottobar, Germano's, and Alchemy of Art. New York credits include Radio City Music Hall, Feinstein's at the Regency, Manhattan Children's Theater, Cindy Shurin Theater, and the Secret Theater. He has performed regionally at Signature Theater, Merry Go Round Playhouse, Central Piedmont Summer Theater, North Carolina Theater, Schoolhouse Theater, Studios of Key West, among others, as well as on the national tour of Joseph and the Amazing Technicolor Dreamcoat. Multiple TV/film credits include Wedding Crashers, Law and Order, Meet Dave, the local webseries Thespian, Basura: Long and Hard, and the upcoming Red Woods.
Erin has appeared on Broadway as Mrs. Nordstrom in the Tony nominated revival of A Little Night Music starring Angela Lansbury, Bernadette Peters, Elaine Stritch, and Catherine Zeta-Jones, directed by Sir Trevor Nunn, where she also performed the roles of Anne and Charlotte. Erin made her Broadway debut with The Phantom of the Opera and performed the role of Christine Dae in the Broadway National Tour and the Las Vegas Phantom. Regional credits include Eliza Doolittle in My Fair Lady (Gretna Theatre), Sarah Brown in Guys and Dolls (The New Harmony Theatre), Anne in A Little Night Music (Opera Cleveland), Guinevere in Camelot (Arts Center of Coastal Carolina), Mabel in The Pirates of Penzance, Maria in West Side Story, and the title role in Rodgers & Hammerstein’s Cinderella. Erin was the soprano soloist with the Omaha Symphony in their "Christmas Spectacular" and was the soprano soloist in a world premiere presented by American Opera Projects at Zankel Hall. Erin has been a frequent soloist with members of the Manhattan Chamber Orchestra, appearing at Carnegie Hall, Avery Fisher Hall, and Symphony Space. Erin will be performing this summer as a soloist with The Finger Lakes Chamber Music Festival.
David appeared as Monsieur Reyer in the Broadway National Tour of The Phantom of the Opera, where he toured most of the United States and much of Canada for nearly eight years. He also appeared as Gus in the Broadway National Tour of Cats, Webber in The Last Empress at Lincoln Center, and as Javert in Les Miserables at Northern Stage. In 2016 David starred as Nate in Newton’s Cradle with the New York Musical Festival directed by Tony award winning actress/director Victoria Clark. Film and TV credits include the Make-up Artist in Woody Allen's Sweet and Lowdown, Michael in Under Shelter, Oscar in Outside the Window, Rusty in King's Day Out and Michael and Sammy in the Mary Tyler Moore TV series, New York News. In addition to being an actor, David is also an accomplished painter, illustrator, writer and director. He produced, directed and edited the short film Dear Mr. Spielberg, which was screened at the Sundance Festival. His writing and directing skills have been showcased in multiple works performed at the West End Theatre in New York City. He currently writes a monthly column on fatherhood for Country Wisdom.
Amanda Williams is a rising lyric soprano in the DC metro area. Praised as a performer who "carries herself beautifully," "shows great promise" and possesses a "warm" and "consistent sweetness of tone and clarity of articulation," she excels in the lyric soprano repertory of the eighteenth and twentieth centuries. She has made her mark in such roles as Fiordiligi in Mozart's Così fan tutte and Helena in Britten's A Midsummer Night’s Dream. She has also been featured as a soloist in masterworks such as Haydn's Lord Nelson Mass, Handel's Messiah, and Vivaldi's Gloria. She has had the privilege of performing with the Washington National Opera Chorus, the Baltimore Choral Arts Society, and Lyric Opera Baltimore. Ms. Williams holds a Bachelor of Music degree from West Chester University, as well as a Master of Music degree and Graduate Performance Diploma from Peabody Conservatory.
Hailed as “a singer’s dream” by Gramophone Magazine, pianist Andrew Stewart has worked with countless vocalists and instrumentalists; premiered works by composers including Garth Baxter, Hollis Thoms, and Spencer Huffman; and performed with a great many organizations, among them the Bach Society of Baltimore, OperaBelle, the Atlantic Guitar Quartet, Baltimore Musicales, the Choirs of Goucher College, the Annapolis Chorale, and Assisi Performing Arts in Italy. Recent performance highlights include the complete songs of Henri Duparc with soprano Kimberly Christie, Messiaen’s “Quartet For the End of Time” with Assisi Quartet at Princeton University and at the War Memorial in Baltimore, programs of art songs in Czech and Chinese with sopranos Annie Gill and Kerry Holahan, and a recital of arias and art songs with soprano Mary Claire Curran at Opera America in New York City. He is featured on the albums Katherine Keem Sings Songs and Arias by Garth Baxter (Centaur Records, 2014), Ask the Moon (Parma, 2018), and Resistance (Parma, 2019). Mr. Stewart has been associated with the Maryland Opera Company, formerly Lyric Opera of Baltimore, since 2003, and has given over a thousand performances to date as part of its education component. He teaches on the faculty of MOC's four-week summer program, assisting high school students in writing and producing an original one-act opera. Mr. Stewart studied with Charles Asche at the University of California, Santa Barbara, and with Marian Hahn at the Peabody Conservatory. He lives in Lutherville, Maryland with his family.
Soprano Rachel Sitomer has performed with opera companies across the mid-Atlantic region, including Opera Company of Brooklyn, Repertory Opera Theatre of Washington, Baltimore/Washington Repertory Opera Company, Riverbend Opera in McLean, VA, and Opera AACC in Arnold, MD. She made her New York City debut in the role of Monica in Chelsea Opera’s production of The Medium, a role which she “sang and act[ed] with beautiful subtlety.” Other notable roles include Gilda in Rigoletto, Zerlina in Don Giovanni, Papagena and Pamina in Die Zauberflöte. Dedicated to bringing the joy of opera to a wider population, Ms. Sitomer is a frequent performer with the D.C. Metro chapter of Opera on Tap, performing opera and musical theater repertoire in restaurants and bars in Washington, D.C. She has also participated in opera outreach performances with The Opera Company of Brooklyn, as Papagena in The Magic Flute and with Opera AACC as Hansel in Hansel and Gretel. Ms. Sitomer holds a B.A. in music (voice and violin) from Bucknell University (magna cum laude) and she maintains a violin and voice studio, teaching students ranging in age from six to adult. She is the music director at Ascension Catholic Church in Bowie, MD, a cantor at St. Andrew by the Bay Roman Catholic Church in Annapolis, MD, and the mother of two adorable boys.
David Drosinos received his diploma from the Peabody Conservatory of Music, where he studied clarinet with Loren Kitt, principal clarinetist with the National Symphony Orchestra. He won the Sidney Jensen Memorial Award for outstanding clarinet performance and has been guest artist at the Greek Embassy in Washington and the Taj Mahal in Atlantic City. The Washington Post praised him for “playing with an unusually smooth and agile touch.” Of his Finzi Clarinet Concerto, the Baltimore Sun noted, “He played the idyllic score with technical security, tonal warmth and exceptionally eloquent phrasing.” David was the principal clarinetist and soloist with the Peabody Symphony Orchestra on their tour to Russia, and a featured soloist with the Concert Artists of Baltimore. His Greek Band Zephyros was a featured act at the International Clarinet Association in Washington, DC. Mr. Drosinos resides in Cockeysville, Maryland, and he teaches at Shepherd University, the Baltimore School for the Arts, and Peabody Preparatory.
Praised for his bold, no-compromise manner of playing as well as his sensitivity in ensemble settings, Andrew Kwon’s virtuosity and charismatic stage presence have captivated audiences throughout the world. Born into a musical family, Andrew first began his studies on the violin in Korea with his father, who was a choir and orchestra director. In the past few years, Andrew has performed solo, chamber, and orchestral works in Carnegie Hall’s Weill Recital Hall (New York), the U.S. Library of Congress’s Coolidge Auditorium (Washington, DC), the Music Center at Strathmore (Washington, DC), the Maison symphonique (Montreal), Meyerhoff Symphony Hall (Baltimore), and the Kennedy Center Concert Hall, as well as its Eisenhower Theatre and the Millenium Stage (Washington, DC). He has performed as a soloist with the Pacific Philharmonic, Columbia Orchestra, the Landon Symphonette, youth orchestras in both Maryland and California, and as an orchestral musician with the Alexandria, York, Lancaster, and Mid-Atlantic Symphonies, as well as the Concert Artists of Baltimore and the Baltimore Chamber Orchestra. As an orchestral musician, he has held concertmaster and principal positions in various ensembles including the Pacific Philharmonic, Peabody Symphony Orchestra, l’Orchestre Symphonique d’Orford, the Kennedy Center Summer Music Institute Orchestra, and the Peabody Concert Orchestra. Andrew is playing on a violin labeled “1854 Raffaele & Antonio Gagliano” (Naples) and a W.E. Hill and Sons bow (London), on loan from the Peabody Institute Instrument Collection.
Dr. Min Jin, tenor, has delighted audiences with his concert and opera performances throughout Korea and the U.S. His virtuoso singing has taken him to many of the major concert halls throughout the Metropolitan area such as Carnegie Hall and Lincoln Center as a recitalist, opera performer, as well as an oratorio soloist with choral societies. His opera performances include the leading tenor roles in La bohème, Rigoletto, Carmen, Otello, La Rondine, Lucia di Lammermoor, Roméo et Juliette, L’elisir d’amore, Manon, Werther, and several other roles with the New Jersey State Opera, Ann Arbor Opera, Aspen Opera, Rochester Mercury Opera, Dicapo Opera, NY Touring Opera, Academic Opera, Mannes Opera, Eastman Opera, PoHang Opera and Kwangju City Opera. As a soloist, he has performed with numerous regional orchestras on the East Coast and the Midwest. Concert credits include Britten’s Serenade for Tenor, Horn and Strings, Haydn’s Creation and The Seasons, Handel’s Messiah, Mozart’s Coronation Mass and Requiem, Dubois’s The Seven Last Words of Christ, Mendelssohn’s St. Paul and Elijah, Beethoven’s Missa Solemnis and Mass in C Major, and his Symphony No. 9, among others. Dr. Jin previously served as an Affiliate Professor at Grand Valley State University in Michigan. Currently, Dr. Jin is an Assistant Professor of Voice at Towson University in Maryland.
Marika Suzuki, 21, began her violin studies at The Colburn School in Los Angeles. An aspiring chamber musician, Marika has worked with members of Quatuor Arthur LeBlanc, and the Dover, Ying, Borromeo, Emerson and St. Lawrence String Quartets and has studied chamber extensively with Michael Kannen, Maria Lambros and Gina Coletti at the Peabody Institute and Ed and Mari Edelman Chamber Institute. Her ensemble, Quartet Brio, had the honor of performing Haydn’s “Sunrise” Quartet for the Chinese Delegation of the National University of Singapore and President of Johns Hopkins in 2015. Currently, Marika leads the Peabody String Sinfonia, a conductor-less chamber ensemble with a mission to spread the beauty of music in homeless shelters, recovery centers and other sensitive venues throughout the Baltimore area. Marika is pursuing a Bachelor's Degree in Violin Performance at the Peabody Institute of the Johns Hopkins University with Violaine Melançon.
Soprano Katherine Boyce (née Crowe) received her Master of Music degree in Vocal Performance from Towson University and her Bachelor of Music in Vocal Performance from the Eastman School of Music in Rochester, NY. During her graduate studies, she performed Pamina in Mozart’s Die Zauberflöte, Laurie in Act III of Copland’s The Tender Land, and the Siren in the premiere of Dr. Phillip Collister's Pasticcio Furioso. She has also performed several roles at Annapolis Opera through Towson University's Opera in a Can program, singing the title role in Barab's Little Red Riding Hood, Despina in Mozart/Davies' The Three Little Pigs, and Pamina in a children's version of The Magic Flute. At Eastman, Katherine was a Howard Hanson Scholar and performed roles in multiple Eastman Opera Theatre productions, including Lehár’s "The Merry Widow," Poulenc’s "Les mamelles de Tirésias” and Kander’s “Cabaret.” As a member of Eastman’s elite Institute for Music Leadership’s Arts Leadership Certificate Program, she received a grant to intern at the Washington National Opera and was a Generation E-Student Scholarship Recipient. Katherine currently performs and teaches in the Baltimore/DC area, is a member of the National Association of Teachers of Singing, and continues her studies with Jennifer Casey Cabot.